{{#widget:Qwant}}
« Accueil:Article-49 » : différence entre les versions
De MedFilm PPRD
(Page créée avec « {{Article |dateEvenement=2021-05-05 |purEvenement=Oui |auteurs=Joel Danet |type=Focus |date=2021-04-15 |titrefr=Mental Illness and Film |sousTitrefr=25th International Bremen Film Conference – Universität Bremen – City 46 |image=kopfkino.png |textefr=Within the conference, international experts and filmmakers explore in what way clinical and social illness discourses can be represented in films and in what way cinema can describe an aesthetic of mental illne... ») |
Aucun résumé des modifications |
||
| Ligne 10 : | Ligne 10 : | ||
|textefr=Within the conference, international experts and filmmakers explore in what way clinical and social illness discourses can be represented in films and in what way cinema can describe an aesthetic of mental illness. The focus is for one thing on the many ways of cinema to generate its own media-specific order of clinical patterns, and for the other on the relationship between the sick and the treatment person as a central setting, as well as the multi-dimensionality of depictions of diseases.With international experts and filmmakers, the Symposium aims to explore how clinical and social discourses of mental illness are negotiated in film and how cinema can articulate the aesthetics of mental illness. Here the focus is on the means of cinema to generate its own, media-specific order of illness portrayals, further on the relationship between the sick and the therapists as a central medical setting, as well as on the multi-dimensionality of illness representations.<br> | |textefr=Within the conference, international experts and filmmakers explore in what way clinical and social illness discourses can be represented in films and in what way cinema can describe an aesthetic of mental illness. The focus is for one thing on the many ways of cinema to generate its own media-specific order of clinical patterns, and for the other on the relationship between the sick and the treatment person as a central setting, as well as the multi-dimensionality of depictions of diseases.With international experts and filmmakers, the Symposium aims to explore how clinical and social discourses of mental illness are negotiated in film and how cinema can articulate the aesthetics of mental illness. Here the focus is on the means of cinema to generate its own, media-specific order of illness portrayals, further on the relationship between the sick and the therapists as a central medical setting, as well as on the multi-dimensionality of illness representations.<br> | ||
Intervention Medfilm : communication de Christian Bonah et Joël Danet, « Personal geographies and social situatedness of psychiatric patients: Institutional medical cinema’s viewpoint (1970s - 1980s)<br> | '''Intervention Medfilm : communication de Christian Bonah et Joël Danet, « Personal geographies and social situatedness of psychiatric patients: Institutional medical cinema’s viewpoint (1970s - 1980s)'''<br> | ||
Voir la vidéo de l’intervention : https://ml.zmml.uni-bremen.de/video/60ca05d8d42f1c386a8b45d3 | Voir la vidéo de l’intervention : https://ml.zmml.uni-bremen.de/video/60ca05d8d42f1c386a8b45d3 | ||
}} | }} | ||
Version du 22 septembre 2025 à 11:47
Joel Danet, 15 avril 2021
25th International Bremen Film Conference – Universität Bremen – City 46
Intervention Medfilm : communication de Christian Bonah et Joël Danet, « Personal geographies and social situatedness of psychiatric patients: Institutional medical cinema’s viewpoint (1970s - 1980s)
Voir la vidéo de l’intervention : https://ml.zmml.uni-bremen.de/video/60ca05d8d42f1c386a8b45d3
